WebSlick was a key figure in San Francisco's early psychedelic music scene in the mid-1960s. With a music career spanning four decades, she first performed with the Great Society, but is best known... WebOct 26, 2024 · Shortly after their first performance in October that year, Slick composed the LSD inspired piece entitled ‘White Rabbit’. Little did she know that this would become her magnum opus a couple of years later. The Great Society quickly became one of the Bay Area’s most exciting and widely lauded bands.
White Rabbit — Grace Slick Last.fm
WebThe song had China in the title, even now after finding it on YouTube, I cant remember if it was sketches, fragments or pieces of china, hell for all I know the tape said one and the album the other, it took me a while to find a torrent many many years ago, cos well I just didn't know what I was looking for and found nothing in their discography. WebSep 7, 2024 · The 1967 song ‘White Rabbit’ by Jefferson Airplane is one of those rare numbers that not only defines a genre but a location and time period as well. The cornerstone of psychedelic rock, the track encompassed the flower-power ethos of the Californian counterculture and has remained an LSD drenched classic. the pristine text with checksum was not found
White Rabbit — Grace Slick Last.fm
WebJan 29, 2016 · Jefferson Airplane shot into stardom with the explosive "Somebody to Love," a song written by Grace Slick's brother-in-law and former Great Society bandmate Darby Slick. The fantastical... WebMar 6, 2024 · Grace Slick (born Grace Barnett Wing, October 30, 1939) is a rock music icon, serving as the lead singer of the rock groups Jefferson Airplane, Jefferson Starship and Starship for nearly tw… read more Similar Artists Jefferson Starship Jefferson Airplane The Seeds 244,291 listeners The West Coast Pop Art Experimental Band Trending Tracks 1 … WebAgain returning to more crowd-pleasing material, the group then traipsed through their 1967 hit “White Rabbit,” with Grace Slick particularly effective in her handling of the dramatic vocal. For a final blowout, the band chose “The House At Pooneil Corners” from the 1968 album Crown of Creation , which again left the spent crowd baying ... the pristge